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Don't waste valuable time and budget fixing your footage in post! Shoot the effects you want effectively and creatively the first time.
This full-color step-by step guide to visual effects cinematography empowers you to plan out and execute visual effects shots on a budget, without falling into the common pitfall of using high-end computer graphics to "fix it in post.” Learn how to effectively photograph foreground miniatures, matte paintings, green screen set ups, miniatures, crowd replication, explosions, and so much more to create elements that will composite together flawlessly.
Filming the Fantastic focuses on the art and craft of visual effects using real case scenarios from a visual effects cameraman. These lessons from the front line will give you ideas and insight so you can translate your skills into any situation, no matter what camera or software package you are using and no matter if you are using film or digital technology. Learn how to film your fantastic visual effects with this book!
- Sales Rank: #3767001 in eBooks
- Published on: 2012-12-06
- Released on: 2012-12-06
- Format: Kindle eBook
Review
"An extremely knowledge book, this is for sure a must have volume for filmmakers. I would say even if you have no intention of Fx work, the training is still essential to working with your hired talent better. And who knows..... you may pull a few tricks out of your sleeve to mention something that wasn't even being considered." - horrornews.net
Review
"This step-by-step guide shows how to create visual effects during shooting rather than using computer graphics after shooting. This second edition reflects recent innovations in technology and equipment. Introductory chapters explain technical fundamentals of film and digital image capture, and later chapters cover specific types of effects such as stop motion, blue and green screen, miniatures and computer graphics, and the Cineon digital film system. Two chapters are devoted to cost cutting measures. Color photos, color screen shots, and photos of equipment illustrate techniques and effects on almost every page of the book."--SciTech Book News
"The fun stuff in the book is not just about war stories, shared from the comfort of an overstuffed armchair, but procedures that you can execute this weekend. As a VFX and Post Production supervisor, I know that the instruction in the book is not the full story, but it is for those who SHOOT the plates. Pairing up with a dynamic post production compositing team is a completely different phase in a long process of filmmaking. Shooting miniatures, simple practical photography tricks, and other "it doesn't have to be complicated" tips fill the book. Plus, my absolute favorite part of the book - an introduction to some characters in the circus of production. Mark Sawicki has been teaching visual effects for over 20 years at UCLA Extension. This book is definitely some of the great teachings that Sawicki has to offer, relayed in a tone which you might find at an intellectual dinner conversation; not stuffy - just all of the stuff that is important to know (with a couple of jokes and war stories peppered in). If you've decided to start making movies on a small consumer camera, or if you've taken delivery of your second RED camera - check it out"--Digital Producer Magazine
About the Author
Mark Sawicki is a camera man, artist, and actor. He has had many roles in the world of film, from teaching visual effects for over 15 years at the UCLA extension, authoring video programs on the art of clay animation, and being an independent stop motion animator on several MTV videos. He won an Emmy Certificate for his contribution to the television series, Star Trek while working as a cameraman for Illusion Arts. He won a Clio for his camera work while at Celestial Mechanics Incorporated. Mark is currently a digital colorist and effects camera supervisor at Custom Film Effects. A few of his recent films include Premonition, The Black Dahlia, 40 Year Old Virgin, and Eternal Sunshine of the Spotless Mind.
Mark Sawicki is a camera man, artist, and actor. He has had many roles in the world of film, from teaching visual effects for over 15 years at the UCLA extension, authoring video programs on the art of clay animation, and being an independent stop motion animator on several MTV videos. He won an Emmy Certificate for his contribution to the television series, Star Trek while working as a cameraman for Illusion Arts. He won a Clio for his camera work while at Celestial Mechanics Incorporated. Mark is currently a digital colorist and effects camera supervisor at Custom Film Effects. A few of his recent films include Premonition, The Black Dahlia, 40 Year Old Virgin, and Eternal Sunshine of the Spotless Mind.
Most helpful customer reviews
8 of 9 people found the following review helpful.
I am impressed and highly recommend Mr. Sawicki's Book
By Thomas Sullivan ll
Wow! It covers enough information on the current art of special effects to give the neophyte an excellent overview of what's possible and for the professional to accomplish.
This book is going on my shelf next to Raymond Fielding's The Techniques of Special Effects Cinematography, Bernard Wilkie's Creating Special Effects for TV & Film, Special Effects in Motion Pictures by Frank P. Clark and Bernard Wilkie's The Technique of Special Effects in Television. The huge advantage for Mark's book is that it brings the classic techniques into the digital age. It is full of Illustrations and photos that serve his text well.
Mark's experience from decades of personal and notable professional work is evident from the real world solutions he offers. His personal anecdotes and techical instructions give the reader useful and practical knowledge of a wide variety of techniques.
What I liked is the appreciation and references to the great masters of effects like Willis O'Brien and Albert Whitlock and many others.
Mark Sawicki knows his stuff and presents it for the curious and the advanced film maker.
Well done. I highly recommend this book. A must for Effects Artists everywhere. I kid you not!
6 of 7 people found the following review helpful.
If you are interested in effects. GET THIS BOOK.
By BMill
I'm only on the 3rd chapter of this book, but I had to write a review as it has made me incredibly excited!
Not only does it cover a lot of ground, it also is written in a warm tone that makes you excited to try out these techniques. Marc is more concerned with telling a good story and preplanning over the current trend of "fix it in post with CGI and $$$". After reading his introduction alone, I knew I had made the right decision in buying this book.
He also has learned from some of the great FX people of the 70s and infuses this wisdom into the book. In several cases, he outlines in absolute specifics (down to what lens they used). This is invaluable!
In conclusion:
After the first chapter, I immediately wanted to head out and start shooting FX work.
You can't get much better than that.
3 of 3 people found the following review helpful.
A book on effects for everyone.
By Paul Howell
Mark Sawicki's book, is a wonderful resource for those interested or involved with the history and creation of visual effects for film and TV. This book would be a great addition to a visual art students library - teachers will also find the practical exercises excellent, while film industry professionals will find the advice and commonsense approach to making visual effects invaluable. I should stress that this beautifully illustrated book is different to the glossy (and all too common) "how we made the effects for such-and-such blockbuster", Filming the Fantastic is much more real and practical, always encouraging the reader to learn by trying things for themselves.
Filming the Fantastic is about creating visual effects - not just those made by computers. The use of miniatures, matte painting and clever planning demonstrate how time and money can be saved while producing outstanding results. Marks professional effects experience provides the framework for the book, backed up with interesting anecdotes and exercises for the reader make their own special effect shots. A really unique feature of this book is showing how to deal with the inevitable situations where there has been little or no planning prior to filming.
This substantial book is crammed with photographs and diagrams, illustrating the text and clearly explaining concepts for the reader. There is considerable depth to the theory sections on colour, perspective and lighting, making the book a fine reference work for any filmmaker. The exciting thing I found about this book was sections such as "So you don't have a million dollars" - which go into making effects with a low budget or if you are challenged for time. Effects are created using home video equipment with simple props - ideas on how to create you own blue screens, superimposed backgrounds, stop motion animation, people falling out of buildings, crowd replication and even a pan across an airplane crash scene, can all be created with a few dollars and a few hours. This may make the book sound too simplistic for a professional, however "in camera effects" (as they are called) are becoming more rather than less common in feature film production. These "tricks" are recognised as time savers in the professional industry.
In summary this well written book is very easy to read with clear thought out examples for students, teachers and professionals. Great illustrations and photos explain the key concepts thoroughly while the broad topic range make the book relevant for many people and situations.
A great gift for yourself or anyone interested in the magic of movie making. My advice is to dust off the camera and try the effects for yourself!
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