Jumat, 30 Oktober 2015

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Started Early, Took My Dog: A Novel, by Kate Atkinson

Tracy Waterhouse leads a quiet, ordered life as a retired police detective-a life that takes a surprising turn when she encounters Kelly Cross, a habitual offender, dragging a young child through town. Both appear miserable and better off without each other-or so decides Tracy, in a snap decision that surprises herself as much as Kelly. Suddenly burdened with a small child, Tracy soon learns her parental inexperience is actually the least of her problems, as much larger ones loom for her and her young charge.

Meanwhile, Jackson Brodie, the beloved detective of novels such as Case Histories, is embarking on a different sort of rescue-that of an abused dog. Dog in tow, Jackson is about to learn, along with Tracy, that no good deed goes unpunished.

  • Sales Rank: #1155671 in Books
  • Published on: 2011-03-21
  • Format: Bargain Price
  • Number of items: 1
  • Dimensions: 9.50" h x 1.25" w x 6.25" l,
  • Binding: Hardcover
  • 384 pages

Amazon.com Review

Kate Atkinson's Started Early Playlist

I always make a compilation tape for Jackson for each book. I find it’s rather like a meditation, something I come back to on a regular basis when I’m writing because in some mysterious way it reminds me of the essence of each particular book. He, and I, like country music but that’s quite a broad church. Sometimes it’s apparent to me why I’ve chosen certain tracks and at other times I’m not at all sure of the reason. There are a lot of songs about dead mothers and orphaned children for Case Histories and When Will There Be Good News, and more than a few about death and heaven in Started Early. (Jackson’s taste is strictly on the melancholic side.) At the moment I’m writing a book that begins in 1910 and goes through the Second World War so just now I’m listening to music from the Twenties and Thirties, rather odd and not entirely to my taste. I’m looking forward to Glenn Miller and the Andrew Sisters--not Jackson’s taste at all! --Kate Atkinson

Listen to the playlist



Author One-on-One: Kate Atkinson and Lee Child

In this Amazon exclusive, we brought together authors Kate Atkinson and Lee Child and asked them to interview each other.

Lee Child: This is the fourth Jackson Brodie book. It's starting to look suspiciously like a series! What brought you back this time?

Kate Atkinson: I never intended to write more than the first one -- which was Case Histories -- but I wrote it so quickly -- which was highly unusual for me -- that I somehow felt as if I hadn't finished with the form and the characters. And then it became the 'power of three' and I thought "one more" and then I found I had unfinished business for Jackson and it became four. I honestly don't know how that happened. There is something seductive about the shape of a detective novel, or at any rate of using a detective in a novel, because it gives you a ready-- made dynamic and a reason for introducing characters to whom interesting things happen as opposed to, say, starting with a whole load of people in a bank or an office and thinking so what are their stories, and what's going to happen to them? (Although, even as I'm writing that, I'm thinking oh, actually that sounds quite intriguing).

Child: Your career so far shows you're not afraid to write whatever you choose. It's as if you've been in and out of several different rooms in the house. Is that fun?

Atkinson: Yes! I get bored quite easily but also there are so many ways of writing out there to explore. To run with the house analogy -- I love houses and there are so many lovely ones that I'll never have a chance to live in because life is short and so is money. It's the same with different styles and genres of writing. I hope before I die I manage to write a romantic novel (because I never write any kind of romance) and I would love to be able to write a children's book, but I think they are the most challenging of all.

Child: Is it easier to write the Brodie books than the others? Or harder?

Atkinson: I found the Brodie books easy to begin with, and then very difficult to finish. I haven't actually finished with him yet but at the moment he's taking a holiday somewhere restful. I found the new book really hard but I think I'd just run out of steam with the character. I'm writing something completely different at the moment and it's amazing how much energy I have for it and what a relief it feels! I think the next time I re-visit Jackson it will be with that same kind of enthusiasm -- and he (and I) will be all the better for having taken a break from each other!

Child: You write about Yorkshire with a certain exasperated affection. You were born there, right?

Atkinson: I am actually a patron of the Yorkshire Tourist Board! I think it's true of everyone in exile -- I live in Edinburgh -- no matter how mild the form, that you have a longing for what you have left behind.

I think the older you get the stronger that is -- not so much nostalgia, but a feeling that your heart is in another place. I may be kidding myself there and, like Jackson, there are certain parts of Yorkshire that I would never want to re-visit, but like him I think there are places in North Yorkshire that do mark it out as God's Own county. (I don't know why Yorkshire people are so fervently patriotic about their county!) My whole family is settled in Scotland so that kind of prevents me from moving back although I dream about that little cottage in the Dales, Aga in the kitchen, sheep bleating outside the window...



(Photo of Kate Atkinson © Martin Hunter; photo of Lee Child © Sigrid Estrada;)

From Publishers Weekly
Starred Review. British author Atkinson's magnificently plotted fourth novel featuring Jackson Brodie (after When Will There Be Good News?) takes the "semi-retired" PI back to his Yorkshire hometown to trace the biological parents of Hope McMasters, a woman adopted by a couple in the 1970s at age two. Jackson is faced with more questions than answers when Hope's parents aren't in any database nor is her adoption on record. In the author's signature multilayered style, she shifts between past and present, interweaving the stories of Tracy Waterhouse, a recently retired detective superintendent now in charge of security at a Leeds mall, and aging actress Tilly Squires. On the same day that Jackson and Tilly are in the mall, Tracy makes a snap decision that will have lasting consequences for everyone. Atkinson injects wit even in the bleakest moments—such as Jackson's newfound appreciation for poetry, evoked in the Emily Dickinson–inspired title—yet never loses her razor-sharp edge. (Mar.)
(c) Copyright PWxyz, LLC. All rights reserved.

From Booklist
*Starred Review* This is the fourth entry in Atkinson’s brilliant series featuring semi-retired detective Jackson Brodie. Feeling his age, Jackson is touring the ruined abbeys of northern England, a sucker for great landscapes and the poetry of Emily Dickinson (from which the novel’s title is taken). He’s also trying to track down the biological parents of a woman who was adopted as a child. How that case intersects with a series of crimes committed in Leeds in the 1970s is just one of the many strands Atkinson seamlessly weaves together in a plot driven by coincidence and a diamond-hard recognition of man’s darker nature. Meanwhile, lonely retired police detective Tracy Waterhouse, whose years on the force have left her “with a shell so thick there was hardly any room left inside,” witnesses a prostitute abusing a child and, in a moment of madness, offers her cash for the kid. Her odyssey as a new parent to a waif dressed in a ragged fairy costume, relayed with both tenderness and wry wit, must be one of the grandest love affairs in crime fiction, and it leads her, as all roads in Atkinson’s world do, straight to Jackson’s door. For its singular melding of radiant humor and dark deeds, this is must-reading for literary crime-fiction fans. HIGH-DEMAND BACKSTORY: Atkinson’s new novel sees the return of soulful detective Jackson Brodie; the previous three entries in the series have, together, sold more than 525,000 copies. --Joanne Wilkinson

Most helpful customer reviews

154 of 166 people found the following review helpful.
"For the want of a nail..." - Atkinson is always a wonderful read
By L. J. Roberts
First Sentence: Leeds: `Motorway City of the Seventies'.

Spur of the moment decisions lead to life-altering consequences. A child and a dog link characters in an expected way that leads to injury and death.

Atkinson has created several mysteries within one story in this latest outing, and although Jackson is the continuing thread between the books, he is certainly not the only significant character.

One element I so enjoy about Atkinson's books is that her characters are somewhat abnormal for being no realistically normal. Brodie is an ex-cop, ex-PI with a number of failed or failing relationships. It is nice to learn much more about him and his background here. Tracy is a long way from being the attractive, sexy, young cop so common now. Tilly is an elderly actress with early dementia.

I find it almost impossible to describe this book. The writing is clever but without feeling contrived. Her voice and humor are delightful. There are coincidences, but they are deliberate and play upon the theme. The theme, which comes from the traditional poem "For want of a nail..." is brilliantly played out.

I did not find this the easiest book to read due to time and POV changes. It was a bit slow getting into, but it was never boring. I am always fascinated by Atkinson's writing and I love her titles. All I can say is that this is a book which can stand on its own and is very well worth reading.

STARTED EARLY, TOOK MY DOG (PI-Jackson Brodie-England-Cont) - VG
Atkinson, Kate - 4th in series
Doubleday, ©2010, UK Hardcover - ISBN: 9780385608022

1 of 1 people found the following review helpful.
Entertaining English intellectual pulp fiction
By Andrew Hodson
I think you would have to know about the ways of England to appreciate the irony and the humor of this cleverly woven story.
Atkinson is a master of the subconscious that helps to illuminate her characters making them totally believable. Just a little bit too much of the failings and cruelty of human behavior.

69 of 77 people found the following review helpful.
"Everyone has a killer inside them just waiting to get out, some more patient than others."
By Mary Whipple
(4.5 stars) However good Kate Atkinson's three previous Jackson Brodie novels have been, they were just the warm-up for this one. Though they are often called "mysteries," Atkinson's novels are far more character-driven than the norm, and more literary in execution-intriguing on several levels simultaneously. In this novel, Jackson Brodie becomes a broader character, his inner life at least as important as the plot with which it intersects. Brodie has always had a problem with alcohol and women, with whom he has always looked for escape from some of the underlying miseries of his life. Married twice and "almost married" to a woman who fleeced him, Brodie can be forgiven for being cynical about people and their motives. The one characteristic which keeps Brodie going is his outrage about the injustices he sees around him, with his strongest calumny directed toward those who take advantage of children.

In Started Early, Took My Dog, which takes place in Leeds, West Yorkshire, several plot lines begin before the entrance of Brodie. The starving, almost dead child of a prostitute is found in an apartment with the body of the mother in 1975, and the child is later adopted. The other story lines take place in the present. Two thugs have arranged to kidnap a child in Munich. A female former police superintendent in Leeds saves a child from being abused, then offers to buy the child from the prostitute who has been dragging her through the streets. A senile actress in a TV serial witnesses something she does not understand. Amid these beginning plot lines, Jackson Brodie sees a small dog being horribly abused by a muscleman and saves the dog, which quickly wiggles its way into his life and heart.

What follows is a complex story of identity, including Jackson Brodie's own identity, as characters who were orphaned and/or adopted try to understand the past and make connections. Brodie himself has never recovered from the death of his sister Niamh, one of several deaths which decimated his family before he had even reached his teen years. Jackson becomes involved in the search for truth regarding the other plot lineswhen he is hired to try to find the parents of one of these adoptees.

Atkinson's irrepressible humor comes through in her style: She includes more literary references per page, often humorously, than most other writers have in an entire novel. These fit into the narrative so smoothly that it is easy to overlook them. In one ten-page sequence near the beginning, for example, Atkinson gives brief quotations from Cormac McCarthy, Emily Dickinson (who seems to be a favorite throughout), and Shakespeare's Julius Caesar and his Sonnet 73 on death. Birth, love, aging, and death are constant themes here as several adults, including Jackson Brodie, try to come to terms with their lives as children and find peace. Some, like Jackson Brodie, still have hope--"Hope is the thing with feathers/That perches in the soul/And sings the tune without the words/ and never stops--at all." (Emily Dickinson)

Jackson Brodie #1: Case Histories: A Novel
Brodie #2: One Good Turn: A Novel
Brodie #3: When Will There Be Good News?: A Novel

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Gospel Ideals Selections From the Discourses of David O. Mckay, by Improvement Era

  • Published on: 1965
  • Binding: Hardcover
  • 598 pages

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Kamis, 29 Oktober 2015

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This is a comprehensive study of the Jewish and Muslim dialect networks of Morocco in its traditional boundaries, covering twenty-two Muslim and some thirty Jewish dialects of Moroccan Arabic.

  • Sales Rank: #2427453 in eBooks
  • Published on: 2013-01-11
  • Released on: 2013-01-11
  • Format: Kindle eBook

About the Author
Jeffrey Heath teaches at the University of Michigan.

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The Collected Sicilian Folk and Fairy Tales of Giuseppe Pitré: 2, by Jack Zipes

This two-volume set collects 300 of the most entertaining and important folk and fairy tales of Giuseppe Pitré, a nineteenth century Sicilian folklorist whose significance ranks alongside the Brothers Grimm. In stark contrast to the more literary ambitions of the Grimms' tales, Pitré’s possess a charming, earthy quality that reflect the customs, beliefs, and superstitions of the common people more clearly than any other European folklore collection of the 19th century. Edited, translated, and with a critical introduction by world-renowned folk and fairy tale experts Jack Zipes and Joseph Russo, this is the first collection of Pitré’s tales available in English. Carmelo Letterer's illustrations throughout the volume are as lively and vivid as the stories themselves, illuminating the remarkable imagination captured in the tales.

  • Sales Rank: #3596882 in eBooks
  • Published on: 2013-01-11
  • Released on: 2013-01-11
  • Format: Kindle eBook

About the Author
University of Minnesota, USA University of Minnesota, USA

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  • Sales Rank: #3799464 in eBooks
  • Published on: 2013-01-08
  • Released on: 2013-01-08
  • Format: Kindle eBook

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City girl seeks…

When Isabella Lockhart leaves New York for Weaver, Wyoming, she's keeping a vow—to provide a loving home for her late fiancé's little boy away from the bad influences of the big city. But trouble is this kid's middle name, and right away his antics put Isabella on a collision course with handsome rancher Erik Clay.

…small-town hero

Not that that's a bad thing! The real problem for Erik is the instant attraction he feels for this beautiful Big Apple transplant. The sworn bachelor just doesn't want to go there. But pretty soon, Erik realizes that he has a vow of his own to keep—to make this wounded woman whole again, starting with her heart….

  • Sales Rank: #252168 in eBooks
  • Published on: 2013-05-01
  • Released on: 2013-05-01
  • Format: Kindle eBook

About the Author
A frequent name on bestseller lists, Allison Leigh's highpoint as a writer is hearing from readers that they laughed, cried or lost sleep while reading her books.  She credits her family with great patience for the time she's parked at her computer, and for blessing her with the kind of love she wants her readers to share with the characters living in the pages of her books.  Contact her at www.allisonleigh.com

Excerpt. © Reprinted by permission. All rights reserved.
It was the yelling that got her attention.

Murphy. It was so easy to recognize his voice. Particularly when he was yelling at a few million decibels.

Her stomach sinking like a lead balloon, Isabella Lock-hart instantly dropped her cleaning rag on the lunch counter at Ruby's Cafe and raced for the door.

Locked.

Of course it was locked. She'd locked it herself just thirty minutes earlier. She darted back for the keys that Tabby Taggart had entrusted her with, finally spotting them on the stainless-steel work counter in the kitchen, where she'd left them after locking up the rear door.

She rushed back to the front entrance, fumbled with the lock, then burst out the glass door. Not only had the yelling continued, it was angrier than ever.

And it was all occurring smack-dab in the middle of Main Street, right there in front of the cafe, where a large, dusty blue pickup truck was parked.

Murphy, please don't get into more trouble.

The whispered prayer was much, much too familiar. Moving here to Weaver had been supposed to change that.

She ran toward the truck, toward the yelling, then nearly skidded to a halt at the sight of the thin boy glaring up at a tall, broad man who was glaring right back at him.

What concerned her most, however, was the baseball bat clenched in Murphy's white-knuckled fists. If he took the bat to one more thing…

She couldn't bear to think about it.

"You damn well did know what you were doing!" The man's deep voice was furious.

"It was an accident!" Murphy yelled back. "I told you that a hunnert times!"

"Murphy!" Isabella dashed between the two males, grabbing the bat as Murphy raised it. At eleven, he already topped five feet, and only the fact that she was wearing a bit of a wedge heel kept his eyes from being at a level with her own. She tugged on the bat hard, pressing her hand flat against his heaving chest, but his grip was equally tight. "Let it go!"

His mutinous brown eyes—so like his father's that at first it had been a physical ache to see them each and every day—met hers and his knuckles turned even whiter around the wood. "No!"

She heard the man behind her mutter something, and then a large, tanned hand closed over the bat just above hers. "Give me that damn thing before you hurt someone," the man snapped, and yanked it directly out of both her and Murphy's battling grips. Then he tossed it into the cab of his truck and slammed the door shut.

Murphy's voice went up half an octave as he unleashed a fresh round of curses that made her pale. "Dude! That's my bat. You can't just take my bat!"

"I just did, dude," the man returned flatly. He closed his hand over Murphy's thin shoulder and forcibly moved him away from Isabella. "Stay," he spit.

Isabella rounded on the man, gaping at him. He was wearing a faded brown ball cap and aviator sunglasses that hid his eyes. "Take your hand off him!" Whatever the cause of Murphy's latest altercation, this man had no right to put a hand on him. "Who do you think you are?"

"The man your boy took aim at with his blasted baseball." His jaw was sharp and shadowed by brown stubble and his lips were thinned.

"I did not!" Murphy shouted, right into Isabella's ear.

She winced, giving him a fierce look. "Go sit down." She pointed at the wooden bench on the sidewalk in front of the cafe. Her head was pounding and she had to control her own urge to add to the screaming.

Whatever had made her think she could be a parent to Murphy? He needed a man around, not just a woman he could barely tolerate.

He needed his father.

And now all they had was each other.

She pointed. "Go."

All gangling arms and legs and outraged male, Murphy jerked his shoulder out from the man's grip and stomped over to the bench, throwing himself down on it.

She pulled her gaze away from Murphy and looked up at the man. "I don't know what happened here—"

"Don't you have any sense at all, stepping in front of him when he's waving around a baseball bat?"

Isabella clamped down on her own temper. Whatever Murphy had done, it wouldn't help for her to lose her own cool. "Murphy would never hurt me," she said evenly, ignoring the snort the man gave in response.

She drew in a calming breath and turned her head into the breeze that she'd begun to suspect never died here in Weaver, Wyoming. She let it cool her face before she turned to face him again. "I'm Isabella Lockhart," she began.

"I know who you are."

She pressed her lips together for a moment. She'd only been in Weaver a few weeks, but it really was a small town if people she'd never met already knew who she was. Lucy had told her—warned her, really—about how different Weaver was from New York. That was why Isabella had hoped—still did—that the radical change might be the solution to her problems with Murphy. As long as she was able to hold on to him.

She focused on the man's face—what she could see of it beneath the hat and sunglasses, at any rate. "I'm sure we can resolve whatever's happened here," she continued in the same appeasing tone she'd once used to great effect with outraged prima ballerinas, "but could we do it somewhere other than the middle of Main Street, Mr., uh—"

"Erik Clay. Since there's no traffic to speak of, I don't know what you're worried about. But I am mighty curious how you think we're going to resolve that" He jerked his chin toward the bed of his truck.

He wasn't known for having much of a temper, but considering everything, Erik felt like retrieving that baseball bat and bashing something with it himself.

Focusing on the woman in front of him was a lot safer than focusing on the skinny, black-haired hellion sprawled on Ruby's bench.

She tucked her white-blond hair behind her ear with a visibly shaking hand. Bleached blond, he figured, considering her eyes were such a dark brown they were nearly black. It didn't seem natural that anyone with such light hair would have such dark eyes. He'd never much understood the bleached-hair deal. But even pissed as he was, he wasn't blind to the whole effect.

Weaver's newcomer was a serious looker.

"I'm sorry," she was saying. "Whatever happened, I'm sure I can make it right."

"Really?" He very nearly took her arm, but the way she'd squawked over him pushing the kid away from her kept him from doing so. Instead, he held out his hand in obvious invitation toward the truck bed. "Care to tell me how?"

Her brown-black gaze flicked over him. Her unease was as plain as the pert nose on her pretty face when she stepped over to the truck bed, which was nearly as tall as she was, and peered over the side. "Oh…sugar," she whispered.

The words he had for the damage were a lot less sweet than sugar. But sharing them held no appeal, considering the foul mouth her kid had already exhibited.

He reached down and plucked a baseball from amid the shards of colored glass that had once been a very large, very elaborate stained-glass window destined for the Weaver Community Church. "Your boy threw the ball deliberately."

"I did not!" Murphy screeched as he launched himself back into Erik's face. "And I ain't her—" he dropped an f-bomb as if it were a regular component of his vocabulary "—boy!"

Erik shot out a hand, halting the kid's progress even as he scooped the woman out of the kid's angry path.

"Murphy!" She wriggled out of Erik's grip and grabbed the boy's arm, physically dragging him back to the bench. "I told you to sit." She leaned over and said something under her breath that Erik couldn't make out, but that obviously had some effect, because the kid angrily sank against the bench and crossed his arms defensively over his chest.

The woman tugged at the pink skirt of her waitress uniform as she straightened. Erik quickly directed his gaze upward from her shapely rear when she turned and walked back to him.

She stepped up to the side of the truck and peered over the edge once more. "It looks valuable."

The window depicting the Weaver landscape had been a gift. An unexpected, completely unwanted gift. And it was probably wrong of him, but Erik calculated the value more in terms of personal discomfort than dollars, since the artist was a woman he was no longer seeing. And who'd likely tell him to pound sand when he approached her for a replacement, which he'd have to do, since he'd gone and donated the thing to the church, seeing how churches were more suited for that sort of thing than his plain old ranch house. Now they were expecting the thing. "It was."

Her slender shoulders rose and fell in a sigh that only served to make the curves filling out her uniform even more noticeable. Her gaze lifted to his. "If you could tell me how much the damage is, I'll figure out a way to pay you."

Erik looked away from those near-black eyes that were so full of earnestness he couldn't help but feel his anger lessening. And that just irritated him all over again. "Fou didn't throw the ball at my window. He did." He gestured toward the kid. "In my day, we pulled stunts like that, it earned us a trip to the sheriff's office."

She was fair-skinned to begin with, but he actually saw color drain right out of her face. Without seeming to realize it, she closed her hands over his arm, as if to prevent him from heading toward the sheriff's office right then and there. "Please. Not the police."

"Tell me why I shouldn't."

"He didn't mean to cause any harm."

Erik snorted, though it was a shame for such dark, pretty eyes to show so much panic. "Really? He wound...

Most helpful customer reviews

2 of 2 people found the following review helpful.
good story
By Rhonda
4 STARS
In Weaver Vow Isabella Lockhart has left everything she knows for the sake of her late fiance's little boy Murphy. Murphy was getting into so much trouble back in New York. So she got permission to take him and move to Wyoming. Murphy has so much anger in him after his dad died.

Isabella is working at a cafe and teaching dance lessons to make ends meet. Isabella was raised in foster care and does not want the same thing for Murphy. She used to do costumes for balet the same company as her new boss Lucy.

Isabella heard yelling outside while she was closing the cafe, when she recognized Murphy's voice she ran. She found Murphy with his bat beside a man who was angry. A broken stain glass window in the back of the truck from a baseball.

Erik wants to take him to sheriff to teach him a lesson. Erik is a single man with his own ranch.
He makes a deal with Isabella and Murphy. Murphy comes out on sat. to his ranch and he can work the rest of the school year and summer to pay for it. It would not even make a dent on the cost of the window that Erik was donating to the church in town.

Erik who was given the stainglass window by a girlfriend who was getting to serious they broke up. He was not ready for marriage he said. Now he could see himself with Isabella.

Isabella was not ready to date. Either was Murphy ready for her to date either. Isabella was still waiting to see if her having custody of Murphy will be granted. He needed to be stable and not get into trouble for awhile.

I like Erik's family and would love go back to earlier books and see more of thier stories sometime. They are so welcoming to Isabella and Murphy. Everyone calls her Erik's girl and she keeps telling them she is not. Most of Erik's female relatives are in Isabella yoga class. The dance studio she works in is owned by Erik's cousin Lucy. Isabella does not know for the longest time is the cafe she works in is actually owned by Erik and his brother.

It is nice to see that while Erik realizes right away that he wanted to date Isabella his treatment of Murphy is seperate from any relationship he wants with her. Erik is trying to be a good role modle and teach him the way a man should be raised.

I like the town of Weaver and would love to come back and read about the people again.
I was given this ebook to read and asked in exchange to give it a honest review by Netgalley
04/23/2013 Pub Harlequin Imprint Harlequin Special Edition 224 pages ISBN:0373657390

0 of 0 people found the following review helpful.
A solid read!
By Harlequin Junkie Blog
I will preface my review by mentioning that I had never read any of Ms. Leigh's Weaver-centric stories. That being said, I am planning to find the books dealing with the Double-C ranch and the Clay family so I can start to make my way through those series' ASAP!

This book was just lovely. Isabella knows what's it's like to be set adrift in the system, so when her late fiancee's son needs a home, she takes him in without question. The eleven year old isn't coping well with his father's death, and causes some trouble in their hometown of NYC, so Iz tracks down her friend from the ballet company with which she worked and follows her to Weaver, Wyoming.

Erik experiences Murph's shenanigans first hand when the boy shatters a stained-glass window he was preparing to donate to the local church. Remembering all the times he'd been talked to by the local sheriff, he makes the decision to let Murphy work off the money he owes for the broken window. When Isabella runs out to see what the commotion is, Erik is instantly smitten. Now he likes his plan for *more* than one reason.

As the story continues, he introduces the painfully alone 'Izzy' to his amazingly close and alarmingly huge family - where she starts to feel embraced. He realizes that he wants to spend the rest of his life with this woman and her young ward, but they stumble over a few obstacles. Not the least of which is her tenuous standing with Murphy's caseworker.

Erik announces his intentions to her, then backs off, while continuing to mentor and help Murphy fit in to their new community. Isabella learns slowly that the town is not only starting to like her, but they're adopting her - just as she is trying to adopt Murphy - into their hearts.

The only fault I could find with this book was the pacing was a little off. It wasn't *quite* insta-love, but pretty close. Otherwise, the story and characters were charming, and it's well worth picking up.

I enjoyed getting to know the people of Weaver, WY, and I'm looking forward to hearing more about their stories. This book can be read as a stand-alone novel, even though it is tied into the 'Return to Double-C Ranch" series.

0 of 0 people found the following review helpful.
The promise to raise the son of a diseased fiancee.
By Bill. Maybach
When the heroine leaves New York, it is to transplant a troubled boy away from a bad environment and friends into a rural small town community.
He immediately gets into trouble by throwing a baseball through a stained glass window of the local bachelor farmer. The farmer wants the boy
to take responsibility of his actions and reluctantly wants to gain the attention of the heroine. The heroine wins the hearts of the farmer's expanded
family and townsfolk through her small seamstress business and as a community dance instructor. The farmer wins the trust and friendship of the
boy. The only two people in doubt are the heroine and the farmer. A very good read!

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CRYOGENIC MATERIALS DATA HANDBOOK (REVISED). VOLUME II. SECTIONS D, E, F, G, H AND I, by Fred H. Schwartzberg

  • Sales Rank: #5371551 in Books
  • Published on: 1970
  • Binding: Paperback

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Rabu, 21 Oktober 2015

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Meditations on the sacred heart of Jesus Christ - taken from a novena, by  Carlo Borgo

(...)"
Preparatory prayer.—Faith in God's presence.

Offering of the meditation.—Petition for attention, light, and affection.
(...)".

  • Sales Rank: #3049172 in eBooks
  • Published on: 2013-01-11
  • Released on: 2013-01-11
  • Format: Kindle eBook

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Sabtu, 17 Oktober 2015

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Kennedy Justice, by Victor S. Navasky

  • Published on: 1971
  • Binding: Unknown Binding

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12 of 12 people found the following review helpful.
insightful look at the most powerful Attorney General
By Arnold
This book is a somewhat odd candidate for republication. It's over 40 years old at this point. There have been hundreds of books about Robert Kennedy since the early 1970s. So the first question prospective readers might have about this book is if it's worth reading. Does Victor S. Navasky provide any fresh insights? Was this book rereleased simply to take advantage of increased interest in Kennedy with the 50th anniversary of JFK's assassination? In short, a resounding "yes" to the first question and "no" to the second. This book still provides valuable insights even after 40 years.

Navasky's goal with Kennedy Justice is to focus on the powers and limits of the office of Attorney General under Robert Kennedy. Navasky argues, with reason, that RFK was in a unique position to take advantage of his office because of his unique relationship with President JFK. Navasky's approach is unique in focusing not just on this period of RFK's life but also focusing so narrowly on his performance as Attorney General. Unlike many books about the Kennedys, Navasky keeps his promise and his focus. This book doesn't devolve into a general biography of RFK.

Navasky does an outstanding job portraying bureaucratic politics. He gets into the minutiae of how RFK managed - or failed to manage - the FBI and civil rights. Navasky shows how an exchange of particular memos or telephone calls had profound implications for Kennedy's ability to rein in J. Edgar Hoover. For example, Hoover used memoranda on wiretapping and bugging to implicate RFK in condoning those activities. Navasky also uses extensive quotes or transcripts from calls, memos, etc to convey the day-to-day activities of the Kennedy Justice Department. This allows Navasky to provide a more nuanced and realistic look at government administration than most books about the Kennedys, which tend to focus on the drama or personalities involved.

The extent to which the FBI obstructed Justice Department investigations and attempts to enforce civil rights is downright shocking. While many other books have been written about the FBI, Navasky does a particularly good job trying to understand the institution. Navasky likens the FBI under Hoover to a secret society, which might sound extreme but actually works quite well as an analogy. Navasky is very through in his exploration of reasons for the FBI's - and, by extension, Hoover's - intransigence.

The book is on shakier grounds when assessing the motivations of Kennedy's staff. Navasky attempts to figure out why RFK did not exert more control over Hoover. He tends to conclude that RFK simply conceded to bureaucratic realities and thought compromise would yield better results. However, there are later allegations that RFK worried Hoover had compromising information about JFK's sexual exploits. There is also relatively little exploration of the political deal-making and electoral politics that often influenced RFK's ability to enforce civil rights in the South. This certainly doesn't undermine the book's credibility, but readers should be aware that Navasky could not always tell the full story (partly due to the lack of information at the time he was writing).

Given that the book was initially written during the early 1970s, I wish this new edition had an editor's note or even new chapters putting Navasky's work in context. I have read several books about RFK but admit I did not focus on the issues discussed in Kennedy Justice. I don't have a good sense of how research during the past four decades has influenced our understanding of Kennedy's tenure as Attorney General. To my knowledge, Navasky's Kennedy Justice is still the only book focused exclusively on this aspect of RFK's life, but I can't imagine we haven't learned anything new during the interim.

For some readers, this lack of modern context might prove even more of a hinderance to appreciating the book. Navasky assumes most readers will know the basic history of the early 1960s, including key figures such as George Wallace. That's probably fair for most readers, but be aware that this is not a book for beginners. Navasky does not spend much time introducing periphery characters or events. We don't beta 50 page digression into the history of the FBI. I for one appreciate this because Navasky keeps the focus on RFK's attorney generalship, but I'd also advise that readers should at least have a passing familiarity with RFK's life and the civil rights movement.

Overall, I'd definitely recommend this book to anybody interested in RFK, but also scholars interested in bureaucratic politics and law enforcement.

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Jumat, 16 Oktober 2015

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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

  • Published on: 2012-08-31
  • Released on: 2012-08-31
  • Original language: English
  • Dimensions: 10.00" h x .98" w x 7.50" l,
  • Binding: Paperback
  • 434 pages

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